o, Tilly And The Wall
Graceful, charismaticm almost tribal-pop with an immense splash of optimism sprayed throughout - illustrating Tilly And The Wall's sound brings a smile to the face even just writing about it. Their somewhat untitled third album sparks with vivaciousness and pure fun, with each song adding a rung toward an ascendance of dynamic powerpop bliss, with the first step Tall Tall Grass a fragile shell of disenchantment, before rising steadily toward the sanguine peak of Chandelier Lake in a clutter of keys, mellotron, chimes, guitars, drums and saccharine vocals -that feel a little 'electric-kool-aid' soaked at times.
Dust Me Off and Falling Without Knowing utilise a more electronic sound to create a slightly more frenetic traversal between pop and dance, before the sound peters back out to a more inert guitar + drum-based sound, encapsulating the ease with which the four-piece can beautifully transpose their style. This album is indeed a great piece of pop-in-motion and a testament to the ability of this Nebraskan quartet - who says you can't have fun and still be wistful?
Genre: Pop
Release: Album
Keywords: Album, Dew Process, Tilly And The Wall
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FourThousand is a subcultural guide to Brisbane, published daily and fired by email weekly. It is compiled by an amorphous gaggle of Brisbane writers, stylists, designers and photographers who all like huddling under that big umbrella we like to call creativity. Without editorial independence FourThousand has nothing. All editorial you read is featured because it's worth it - not because it's paid for.
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