GOODS has two meanings. Firstly, it is our guide to innovative objects from Brisbane and around the world, and secondly, GOODS can't be bad. A resource for gift buyers, home-makers, scene-stealers, trend-watchers and possibly even shoplifters, GOODS isn't about making your credit card cry, it's about setting your standards high.
If birds of a feather flock together, then birds who wear House of Emily are the complete opposite. When all the other birds are flying north, they're flying south. They're sleeping in instead of chirping early and when all the other birds are laying eggs, they're like ‘screw this, I'm going to find me a sexy eagle and then go to the beach and eat hot chips.
Reginald Murray Williams would surely be chuffed to see his bespoke riding boots taking to the streets. Fenella Peacock (Ant!pod!um) introduced us to that special combination of ruggedness and femininity that can be achieved with frilly skirts and blundies. Well people took stock of Ant!pod!um, and stockman boots are stomping through trendy laneways.
The Emperor got around in his birthday suit when two sneaky weavers promised him the finest suit of clothes from a fabric invisible to anyone who was an incompetent ninny. Ninny he was - not because he couldn't see the fabric, but because he trusted a pair of mimes. Mimes are creepy, everyone knows that.
Lollies that fizz on your tongue, naïve children's watercolours, farmyards viewed from afar and the aroma of warm butter ... the dresses, hard-tailored pieces, mouthwatering swimsuits and wispy tanks of Karla Spetic's designs call to mind a hardy femininity, a history tempered by freshness.
Born in the fairytale-like city of Dubrovnik on the coast of Croatia, Spetic moved to Australia in 1993 and after graduating from the East Sydney Fashion Design Studio launched her label in 2006.
Bug & Megs are feltophiles. While the other kids were playing ponies, this crafty couple were tinkering with trinkets and fooling with finger puppets. But they soon grew tired of inferior acrylic "felt". They looked everywhere for an Australian supplier of real felt, but alas, none could be found.
The bag. What if this age-old transportation device was individually hand-crafted to order, using hand-dyed and hand-woven organic fabrics? Then it becomes something more than just a bag. It is a musing upon an ancient time, when people transported precious stones and scripts, and not just their iPhones.
ffiXXed is a collaborative art and design project that recognises the need for sustainable creative practices, delving beyond pure aesthetic to create readymade fashion products that are a pragmatic response to living arrangements. Helmed by ex-pat Australians and Internetwork contributors Kain Picken and Fiona Lau, ffiXXed is created between studios in Berlin, New York, and Hong Kong, essentially maintaining a roaming headquarters responsive to global influences.
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